With React’s solid foundation, LiveXLive has the opportunity to make it all bigger and better than ever. React has been estimated to have made $15 million (ticket sales, sponsorship, merchandise, and other) during the calendar year ending December 31, 2019. LiveXLive is taking a big step into an area it has not yet tried. You can expect Spring Awakening and other events to get the full livestream treatment going forward. This is a huge development for the industry, as it marks the first time a content producer is expanding vertically into full-scale festival production. One downside of LiveXLive is that the app doesn’t have a very intuitive interface so you might experience some difficulty navigating it. Leveraging the built-in synergy of event and festival ownership, we anticipate significant growth in audience, subscribers, and original content offerings through expanded audience reach and tighter artist relationships,” said Robert Ellin, CEO and Chairman of LiveXLive. You can stream stations on the service for free with ads or cop a LiveXLive subscription plan at 3.99 or 9.99 per month with access to its elaborate on-demand music library. This acquisition will create powerful cross-marketing opportunities based on direct access to a new pool of active music fans. “ LiveXLive is creating a new music stack combining audio, video, social and live events into one end-to-end experience. The company has a decent history as well that is worth a check out. However, that’s not the only festival they work with.
LiveXLive has hosted Electric Daisy Carnival‘s livesteams for the past several years. Essentially, they are the company that helps fans, who cannot attend small events and festivals, enjoy it all from their own homes and more. It’s free because it runs on ads and various subscription levels. It allows users to create and share customized music stations.
It is a streaming platform that combines video and audio.
0 kommentar(er)
